Newsletter Archive
September 2008
Helping YOU preserve your precious family stories on video.

Family Legacy Video's Steve Pender promotes Family Legacy Video at a business expo in Tucson, Arizona.
Steve Pender promotes Family Legacy Video
at a Tucson business expo.

Welcome to the September issue!

I trust you had a great Labor Day weekend. I know I did, and now I'm ready for a busy fall, a fall that includes Family Legacy Video's unique video biography workshops. The registration deadline is October 4 and there's still room. I hope to see you there.

This month's e-Newsletter offers a mix of Family Legacy Video news, as well as some advice on how to approach your video biography edit. I also answer a reader's questions regarding pricing video projects.

I hope you enjoy this issue of the Family Legacy Video Producer's e-Newsletter. Please e-mail me at steve@familylegacyvideo.com or phone
toll-free (1.888.662.1294) with any questions or comments you have. Visit Family Legacy Video on the Web at: www.familylegacyvideo.com.

Cheers! - - Steve Pender

Find past newsletters on the Family Legacy Video newsletter archive page.


This Month:
Learn video biography techniques at our October workshops!
Family Legacy Video to help Ajo Story Gatherers gather stories
Helping the Bisbee Mining & Historical Museum bring old films to light
Constructing a video biography - think chapters
Visit the Family Legacy Video Theatre
Q&A - Help! How do I price this video project?

Family Legacy Video products & services


October video biography workshops are almost here!

Learn how to create video biographies during the October Family Legacy Video workshops.There's just one month left to register for Family Legacy Video's autumn video biography workshops. So if you have a passion for video biography you'll want to join one or both of Family Legacy Video's video biography events in October:

Create Your Own Video Biography (October 17-19): A comprehensive introduction to the video biography production process. Steve is joined by video veterans Dan Crapsi and Ginny Temple. You'll leave this three-day event with the inspiration and information you need to start your own video biography project.

The Business of Video Biographies (October 20): Steve shares his experience in the video bio business, answers your questions and helps you brainstorm ideas for your personal history video business. Graphic designer Dan Blumenthal shows how to create two keys to marketing success: a logo and a graphic identity for your company.

Why attend a Family Legacy Video workshop?

Our workshops are unique - the only ones we know of that focus entirely on the video biography process.

The workshops are comprehensive - leaving you with knowledge and hands-on experience that will jumpstart your video biography hobby or business.

The workshops are great fun - you'll have a blast learning professional video biography tips and techniques AND you'll meet some terrific people in the process.

Family Legacy Video workshops don't happen every day - our October workshops will be the last ones scheduled for this year.

Like to learn more and see what past participants have to say about their workshop experiences? Check out Family Legacy Video's workshop page.

One more thing - Tucson is a great place to visit in October. You'll find a list of links to Tucson-area attractions at the bottom of the workshop page.

The final registration deadline is October 4. Don't wait - register today!

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Family Legacy Video to teach community members how capture their town's storytellers on video.

So, you're a member of a group of history-minded citizens. Your group wants to capture the stories of your town elders on video as a legacy for future generations of community members. But - you have no experience with video. What do you do?

You call Family Legacy Video and schedule a custom video biography workshop, of course.

That's what the Ajo Story Gatherers of Ajo, Arizona did. The Story Gatherers are passionate about preserving the heritage of their historic mining town through the stories of seniors in their community. But, without experience organizing, taping and editing video biographies they were at a bit of a loss - until they discovered Family Legacy Video. Ajo Story Gatherers leader Cheryl Langer phoned Family Legacy Video's Steve Pender to see if a private workshop could be arranged. The answer: Yes. The Story Gatherers then secured a grant to cover the cost of the workshop, which will take place in Ajo on October 25 and 26.

If your group or organization would like a private workshop designed to meet your needs - give Steve Pender a call. He and the Family Legacy Video workshop team will be happy to work with you.

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Film transfers bring long-ago images of Bisbee, Arizona to life.

Historic Bisbee, Arizona.Bisbee, Arizona is a mining town with a storied past. For decades, moving images depicting that past have sat, stored on 16mm reels, in the archives of the Bisbee Historical & Mining Museum. Now, thanks to Family Legacy Video, glimpses of life and work in Bisbee from fifty to seventy years ago are being revealed.

The Bisbee museum's curator first called Family Legacy Video several months ago, concerned that time was running out to transfer the museum's old film stock to DVD. Luckily, there was still life in the vintage films. The images they reveal are fascinating and show everyday life and work from the 1930s and 1950s.

Some comments from the museum's curator: "The last two transfers were great!! They both had some great footage that were important to local history. The kids were dressed up for an annual tradition that took place at the high school called "Senior Kid Day," where the seniors dressed up like children. It no longer takes place, so the images are really capturing the past. That film was also important because it showed what was a collapse in the Sacramento Pit. The men who were shoveling rock were actually clearing material from the accident. The color one was also exciting, especially the very end. The man at the desk in the end was M.J. Cunningham. A portion of his mineral collection (now known as the Bank of America Collection) is on display at our museum. The very last image shown on that film was of a large malachite specimen that was very well known but stolen from the Bank of Bisbee decades ago and has not been located since. So it was my first time seeing it. I just loved the films. Bisbee history is my passion so I enjoyed each second of them. You did a great job again! Thanks so much for working with us to get these done!"

If your business or organization (or your family, of course) has vintage films, don't keep them sitting in the dark. Give them new life on DVD. Visit Family Legacy Video's film transfer page to find out how.

To learn more about the Bisbee Historical & Mining Museum, visit the museum's site.

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Chapters: A great way to organize a video biography.

You've videotaped your family interviews and collected your photos, films and other visuals. But now that you sit down to edit, the prospect of creating a video that may run a hour or longer is daunting. Just how do you put together a video biography that's informative and entertaining without getting overwhelmed in the process?

Think: Chapters.

Any large project can be intimidating until you break it down into smaller steps or tasks. Editing your video biography is no different. And organizing your video by chapters is a great way to whittle away at it a little at a time.

If you organized your interview questions efficiently you're probably ahead of the game. It should be easy for you to group your interview segments by themes like "Grandparents," "Parents," "Earliest Memories," "School Days," "The War Years," etc. As you edit, focus on one chapter at a time. Treat each chapter as a "video within a video" with it's own title, musical theme, tempo and unique beginning, middle and end. Focusing only on the chapter you're currently editing will prevent you from being overwhelmed by the total length of your project. Before you know it, you'll be done.

Structuring your video biography around chapters also makes the viewing experience more enjoyable and manageable. It's much easier for your audience to digest material in smaller bits. And by varying the mood and feeling of each chapter you help keep your viewers engaged and interested. A long video without chapter breaks and no variety in music, mood and pacing can lull your audience to sleep - and the last thing you want your family members to do is to wind up using your video biography as a sleep aid.

Chapters also make things easier for folks who don't have the time or the attention span to view an entire video in one sitting. By keeping track of the chapters they watched they'll know exactly where to pick up when they sit down to continue. And if someone wants to revisit a particular section of the video, chapters make it easier to do that, too.

So learn to put together your video biographies one chapter at a time. It'll make things easier on you and more enjoyable for your audience.

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The show's on at the Family Legacy Video Theatre!

The Family Legacy Video™ Theatre is the online theatre where you can view all the video clips streaming from the Family Legacy Video Web site. The clips you see there will surely inspire you with ideas for your family video, plus you'll get to see Steve Pender talk about his passion for family history video in two television appearances.

Here's how you reach the theatre:

  • First, click here.

  • Decide which clip you'd like to view. NOTE: Please be patient - you may need to wait a few seconds before a clip plays.

  • Enjoy the clip!

The Family Legacy Video Theatre is always open, and YOU decide when the show begins.

PS - If you have any difficulties playing the clips, please let us know.

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Ask Steve - This month: Advice on Pricing

Q: Dear Steve,
I've been receiving your newsletter for quite a while now and thoroughly enjoy it. It's very informative and really encourages me to get out there and build my business. My business has only been up and running for a few months and I'm not quite sure how to approach a video opportunity. I've done two relatively short interviews for a couple of families who were wanting their family members captured on video as they each are in their 90's. The length of the video was approximately 15 minutes and I feel I priced it fairly, given all the circumstances.

But I have been asked to shoot video at a 40th class reunion next year and what they are wanting is for those in attendance to sit down and give brief talks/interviews reflecting on the past 40 years since graduation. They want some graphics (photos of the past, etc) incorporated and really have no idea how long they want the video to be. They anticipate 50+ people who would be involved. This reunion is in a very small New Mexico town and cost might be a big thing. That leads to my questions:

1) How in the world do I price something like this? Flat rate, per interview, per hour?
2) How long should the video be if I'm the decider on that?
3) Do I ask for a minimum of DVD orders?

I'm sure there are plenty of other questions that might come to mind. But right now I'm a little lost on how to approach the committee with a price. I would really appreciate any help you can give.

As a side note, I was unable to attend your recent workshop and won't be able to in the fall either as my husband has been pretty ill. Hopefully next year will be different. I get really excited when I read and listen to the testimonials. Sounds like you do a great job!

- - Cheryl M., Midland, Texas

A: Hi, Cheryl.
I think you and your client need to give some thought as to what the final piece will be. Is it a highlight reel of the reunion, showing the activities interspersed with brief interviews with alumni, or are they looking for a DVD that contains interviews only? If it’s the former, you may need two cameras – one to cover the reunion activities and the other devoted to interviews. If it’s the latter, then 1 camera could suffice. But to get 50 interviews done you’ll need to be very organized. Attendees should come prepared to be interviewed and you should have an assistant or two who can keep you supplied with interview subjects during the event. You’ll get better quality if you can get a room or two adjacent to the room where the dinner, dancing, etc. is taking place. Have your camera, microphone and lights set up (or two complete set ups) and do your interviews there, where you’ll have more control over lights and sound. If that’s not possible, you’ll have to resort to shooting folks at tables in the main room, where it’s apt to be noisy and dark.

Some guidelines for pricing:

What’s your time, and the time of your crew members, worth per shoot day?

You’ll also need to figure in rental costs of your equipment – do you include your gear in your daily rate or charge extra for it? Adding a charge for the gear you supply and the tape you use is certainly right and proper.

You’ve edited a couple of 15 minute videos so far. How long did those take you to finish? How much did you charge? Subtract your costs and then divide what’s left by the number of hours to give you your hourly rate. Is it fair or should it be higher?

Once you have an hourly figure you’re comfortable with, do your best to estimate your editing time for the reunion piece. You’ll need to establish, with your client, a goal for the finished running time of the piece. Is it an hour, 90 minutes, two hours? Once you decide that, you can come up with an editing estimate based on what it took you to do those 15 minute pieces (this is far from perfect, but at least gives you a ballpark idea). For example, if your goal is a 60 minute video, multiply your editing time for the 15 minute videos by at least 4 times (or 5 or 6 to be safe). By the way, 50 interviews can make for a very long video, so you need to decide beforehand how extensive these interviews are meant to be and how you intend to use them.

I would definitely come in with a package price that covers your expenses and allows you and your crew to earn a fair wage. Base it on your estimate of the hours and costs involved to plan, shoot, edit and distribute the project. Selling DVD copies to earn some additional dollars is also a way to go – just make sure you have an agreement with the reunion committee beforehand that stipulates who gets the money from these sales or how the money gets divided. If your income for this video is based solely on DVD sales, then you’ll have to come in with a minimum price per DVD based on a minimum number of sales so you make what your efforts are worth. You might want to think about "preselling" the DVDs. When folks order their reunion tickets they could also order DVDs. If you reach your minimum number of orders, the video gets produced. If not, folks get their money refunded and the project doesn’t go ahead.

And whatever you decide, get everything in writing – draw up a letter of agreement that outlines what you’re providing and what the client is paying, get it signed and get a deposit up front.

I hope these general guidelines help. I’m available for more in-depth consultations on an hourly basis at the rate of $100/hr.

By the way, I hope your husband is feeling better soon - and I look forward to meeting you at a future workshop!

Cheers, Steve

Got a question about any aspect of family history video production?
Send it to Steve at steve@familylegacyvideo.com.

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Click on the photos/banners below for more information on Family Legacy Video's unique products and services.
Hire Family Legacy Video to create your video biography.
Video Biography Production

Learn do-it-yourself video biography techniques during Family Legacy Video workshops.
Video Biography Workshops

Transfer your old films to DVD.
Film Transfer Services
The Family Legacy Video Producer's Guide shows you how to produce your own family history video! Low cost, royalty-free music for your next family history video. Celebrate the people and times of your life through photos and music on DVD.


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